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Lo Fidelity Allstars1 Giant LeapHatebreed
CD Reviews by Jeanne Fury and Paul E. Dogg
 
Lo Fidelity Allstars CD cover
  

Lo Fidelity Allstars, Don't Be Afraid of Love (Columbia)
Don't Be Afraid of Love, the Lo-Fidelity All Stars' second studio album, following up 1998's How to Operate with a Blown Mind, finds them dipping into big-beat and '70s funk with both hands. It opens with "What You Want," a sort of Trainspotting-sounding clubby track, that eventually skids and slows to an even groove. "Deep Ellum... Hold On" is a hard funk number, while "Lo-fis in Ibiza" brings the dance floor back to the early '90s (think Snap or Rozalla, remember them?) as does "Feel What I Feel" (take me to 1985 with Katrina and the Waves' "Walking On Sunshine"). But most of Don't Be Afraid of Love makes me feel like a pimp on barbiturates. Which, I suppose, makes the album's title rather profound. I should be draped in a long coat with feathers, a wide brimmed hat, dark glasses, and a cane, walking in slow motion. "Somebody Needs You," featuring Greg Dulli of the Afghan Whigs, is my seducing song. Smooth and sly, I beckon to the honeys, "shake ya ass on the corner." "On the Pier" features his funky highness, Bootsy Collins, who whispers about smoking cigarettes while soft female vocals croon, "Shoe fly, don't bother me." Bow chicka bow wow. "Just Enough" is the post-coital, I'm-falling-asleep-to-this-song song. "Cattleprod" is my wake-up-morning-after, hot-damn-I-was-good-last-night song. Who's afraid of love like that? — J.F.

More Lo Fidelity Allstars

Related Artists: Prodigy, Chemical Brothers


Various Artists, One Giant Leap (Palm)
1 Giant Leap CD cover
  
Jamie Catto (film maker and founding member of Faithless) and artist/producer Duncan Bridgeman had an idea. They traveled through 25 countries with a digital audio camera and recorded the music and words of artists and writers such as Neneh Cherry, Kurt Vonnegut, and Baaba Maal. They sought to capture "unity in the diversity" and their documented work can be found on 1 Giant Leap.

For all the innovations in music production since the beginning of time, two of the most venerable instruments are the human voice and a hand drum, and there's plenty of that on this album. Not surprisingly, the most evocative tracks are the rawest. "Racing Away," "Bushes," and "Daphne" rely on chants, cries, ethereal drumming, and undulating rhythms, and bear an unabashed soul. Michael Stipe, who sounds like he ate a vocoder, weighs down an otherwise stirring collaboration with Asha Bhosle on "The Way You Dream." Robbie Williams' lilting voice was at home with Maxi Jazz's on the track "My Culture."

While One Giant Leap is a great CD, featuring artists that listeners would probably never have discovered on their own, the fusion of modern dance music with traditional music is nothing new. DJs have been incorporating tribal music into their house sets for years. Combining digital music with roots music to create a patchwork album that crosses borders successfully finds "unity in diversity." But musically speaking, the results on One Giant Leap are only slightly more thrilling and worldly than the average Moby track or Pure Moods album. More often than not, I wanted to peal back the layers of wiggity-whack to get to the core of it. — J.F.


Hatebreed, Perseverance (Universal)
Hatebreed
  
"You want to see me fail/ You'll never get your chance," screams lead singer Jamey Jasta on "Proven," the first track off Hatebreed's new album, aptly titled Perseverance. Let's just say that if you weren't a fan of hardcore music before, this major-label debut won't convert you. But for those of you who have been half-heartedly dabbling in the music, this might be the album you can't stop playing. With Perseverance, Hatebreed is like Weezer in that while the songs are simply arranged, they're still damn good and instantly catchy.

You can hear the progression from Hatebreed's initial work to now. Their first full-length album, Satisfaction Is the Death of Desire, is a hardcore classic. It's brutal, punishing, and full of Jasta's emphatic roars. But Perseverance is aimed at reaching a broader audience, not just the hardcore kids and metalheads who loved Satisfaction.... While the music certainly isn't a watered-down version of an original, it tends to be more streamlined (a bigger budget helps with that), therefore more accessible to devotees of say, the Warped Tour or Slipknot. The fight-to-the-death intensity on songs like "I Will Be Heard," "You're Never Alone," and "Smash Your Enemies," keep this small Connecticut hardcore band from ever sounding comfortable. Nothing will keep them down. — J.F. and P.E.D.

More Hatebreed

April 2002


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